Island in the Stream…that is what I am.
In the interest of full disclosure, I should tell you that for my wife Katie and me, the Kenny & Dolly duet is “our song”. So, before you even skim my list of 2011 music that I deem excellent, I’ve already destroyed any smidge of credibility you might have assumed that I had. You must understand that sometimes lovebirds don’t choose their song; rather, their song chooses them. Such is the anomaly Katie and I shared during our third date. It’s an anomaly that we both now own, and proudly. But, that’s another story for another time.
Let me explain why I’m an island in the stream. I’m in the Stream because I no longer consume music from files that I store on a hard drive. Instead of a carefully researched and price-shopped collection of music that I assembled, I depend on the cloud (and Spotify’s label affiliations) to hear anything in their catalog of more than 15 million songs. I can’t imagine returning to music, and life, as it was with an 50 GB iTunes library.
I’m an island because I have few friends using Spotify. I jumped into a premium Spotify subscription in mid-July, soon after they launched service in the U.S., and I haven’t looked back since. If only the 10 or 12 people whose taste in music I really value would do the same, the Spotify experience would be further enhanced. Maybe I’ll ramp up my recruitment efforts in 2012.
Spotify is not without flaws. Most importantly, artists get a miniscule revenues from streamed music. This seems fair for the albums I wouldn’t have purchases outright, and grossly unfair for the albums I would have bought. Katie has reminded me that I don’t make the stuff I like as available as I did with iTunes. That’s because I only sync playlists with my phone, and not with the family mp3 players we use around the house and on the go.
There are some new releases (maybe about 5% in my brief experience) that I can’t find when I look for them. Interestingly, two of my favorite albums from this year (by The Weeknd and A$AP Rocky) were mixtapes available on the web for free download. To hear them in Spotify, I have to import them from a local directory. I also miss all the metadata tied to albums in iTunes (e.g. BPM, year, etc.).
Overall, I love Spotify. It’s cut my annual music budget by more than half, and I have access to almost anything at almost any time. Before this post turns into a full-blown Spotify review (too late?), I’ll get to the point of all this.
Albums
In sharp contrast to the iTunes years, using a subscription service has resulted in listening more to full albums and EPs. When I relied on hard-drive storage for music files, individual mp3s were the basic units in my collection.
I would pick and choose songs and avoid purchasing LPs to save money. Now that I no long have a discrete collection, and unlimited access to (most) albums, I’m back to consuming long-form recordings. And to think, I used to the album as a genre was dead!
Also, I’ll go on record as saying that I think three of the best-received albums of 2011 according to Metacritic’s aggregation are overrated (PJ Harvey, Bon Iver, and The Horrors). My daughter would agree — when I played Bon Iver soon after it came out, Jackie gave me a bored look and pleaded, “let’s play some JAMS Daddy.”
These are my 20 favorites of the past year, classified in four tiers below:
Tier One
Days – Real Estate
House of Balloons* – The Weeknd
SUBTRKT – Sbtrkt
The English Riviera – Metronomy
Black Up – Shabazz Palaces
Tier Two
Lenses Alien – Cymbals Eat Guitars
Electronic Dream – araabMUZIK
Wounded Rhymes – Lykke Li
Sepalcure — Sepalcure
Parallax – Atlas Sound
Tier Three
Looping State of Mind – The Field
Mirror Traffic – Stephen Malkmus and the Jicks
A$AP Rocky — LiveLoveA$AP
Tomboy – Panda Bear
No Color – The Dodos
Tier Four
Helplessness Blues – Fleet Foxes
Hurry Up We’re Dreaming – M83
Smother – Wild Beasts
Carrion Crawler/The Dream – Thee Oh Sees
It’s All True – Junior Boys
Songs
My 60 favorite songs of 2011 are listed below, and here’s the link to the Spotify playlist.
- It’s Real – Real Estate
- An echo from the hosts that profess infinitum — Shabazz Palaces
- The Bay – Metronomy
- Wildfire (feat. Little Dragon) – Sbtrkt
- Rifle Eyesight (Proper Name) – Cymbals Eat Guitar
- I’ll Take Care Of U – Gil Scott-Heron & Jamie xx
- The Morning* – The Weeknd
- Black Night – The Dodos
- Street Joy – White Denim
- Video Games – Lana Del Rey
- Nasty – Nas
- Gorilla* – Clams Casino
- Stick Figures In Love – Stephen Malkmus and The Jicks
- Every Night My Teeth Are Falling Out – The Antlers
- Streetz Tonight – araabMUSIK
- Still Sound – Toro Y Moi
- Reach A Bit Further – Wild Beasts
- Love Out Of Lust – Lykke Li
- Pencil Pimp – Sepalcure
- Ungirthed* – Purity Ring
- Is This Power – The Field
- New Map – M83
- Come To The City – The War On Drugs
- Street Halo – Burial
- Alsatian Darn – Panda Bear
- Lotus Flower – Radiohead
- Need You Now – Cut Copy
- Ritual Union – Little Dragon
- Top Bunk – Gauntlet Hair
- Brand New Guy (feat. ScHoolboy Q) (prod. Lyle) – ASAP Rocky
- Edge of Extremes – Clubfeet
- Make My – The Roots
- All The Same – Real Estate
- What You Need* – The Weeknd
- Santa Fe – Beirut
- If I Had A Boat – James Vincent McMorrow
- Other Side – Family Portrait
- My Mistakes – Eleanor Friedberger
- Shut Up, Man (feat. El-P) – Das Racist
- Songs 4 Women* – Frank Ocean
- I Follow Rivers – Lykke Li
- Grown Ocean – Fleet Foxes
- Woods – The Rosebuds
- Falls (Violet) – Van Hunt
- Angel Is Broken – Atlas Sound
- Every Night – James Pants
- Don’t Move – Phantogram
- Under Cover Of Darkness – The Strokes
- Like Gentle Giants – Corduroi
- Something Goes Right – Sbtrkt
- Banana Ripple – Junior Boys
- Something Came Over Me – WILD FLAG
- Wait In The Dark – Memory Tapes
- Get Right – Megafaun
- Hey Sparrow – Peaking Lights
- Gangsta – Tune-Yards
- Weekend – Smith Westerns
- Get Away – Yuck
- Make Me Proud – Drake
- Holocene – Bon Iver
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